Product Details
AnalogX - Poly Synth Distortion Emulations (GENESIS)
Exclusive to Genesis | Modelled at 48k | Powered by our HQ 2 Technology | Calibrated to -18 with the Red Drive starting at -24
IMPORTANT - Requires GENESIS v2.1.0 or higher for True Stereo profiles to load and for the emulations to run on GPU
True Analogue Synth Drive:
The AnalogX Poly Synth Distortion Emulations capture the distortion character of a fully analogue performance synthesizer, bringing real synth-style drive, tone shaping, and output-stage attitude into Genesis.
Rather than focusing on oscillators or filter sweeps, this pack concentrates on one of the most musically useful parts of the instrument: its built-in analogue distortion and tone path. The result is a set of emulations that range from subtle box tone and light colour through to more obviously overdriven, aggressive synth distortion.
Whether you are adding grit to basses, edge to leads, movement to pads, or analogue bite to drums and effects, Poly Synth Distortion Emulations gives you a practical set of synth-derived colour tools inside Genesis.
What’s Inside
Included emulations:
POLY D BOX TONE (LEFT)_HQ_v2.gen
POLY D BOX TONE (RIGHT)_HQ_v2.gen
POLY D BOX TONE_HQ_v2 (Stereo).gen
POLY D BOX TONE LIGHT_HQ_v2.gen
POLY D BOX TONE OVERDRIVE (LEFT)_HQ_v2.gen
POLY D BOX TONE OVERDRIVE (RIGHT)_HQ_v2.gen
POLY D BOX TONE OVERDRIVE_HQ_v2 (Stereo).gen
POLY D DISTORTION 1 - TONE 5_HQ_v2.gen
POLY D DISTORTION 3 - TONE 5_HQ_v2.gen
POLY D DISTORTION 5 - TONE 5_HQ_v2.gen
POLY D DISTORTION 6.5 - TONE 2_HQ_v2.gen
POLY D DISTORTION 6.5 - TONE 4_HQ_v2.gen
POLY D DISTORTION 9 - TONE 2_HQ_v2.gen
POLY D DISTORTION 9 - TONE 5_HQ_v2.gen
A Brief History
The hardware behind this pack comes from the modern revival of classic analogue synthesizer design. Its wider design pays homage to the portable analogue synthesizers of the 1970s, especially the era when compact keyboard instruments became central to progressive rock, electronic music, synth-pop, and studio production. What made instruments in this family so enduring was not only their oscillators and filter response, but the way their analogue circuitry could add density, aggression, and musical imperfection when pushed.
That is exactly what makes the distortion section worth capturing on its own: it is not generic clipping, but part of a larger analogue synth signal path with its own distinct tone, weight, and character.
How to Use It in Genesis
Click CAL to ensure the input is calibrated correctly in Genesis. Start with the Red Drive at -24
Use the BOX TONE captures when you want analogue synth colour with a lighter touch.
Use the BOX TONE OVERDRIVE and higher DISTORTION settings when you want more obvious grit, stronger harmonics, and a more aggressive synth-style response.
The different TONE settings can help you choose between darker, thicker drive and a more forward, cutting distortion character depending on the source.
These emulations work especially well on synth basses, leads, drums, FX returns, parallel buses, and any source that benefits from analogue edge and movement.
Pricing & Format
Price: £18
Format: .gen (Genesis exclusive)
Availability: Download now
AnalogX Product Disclaimer
AnalogX products are digital emulations inspired by both classic and modern recording devices. Our products are designed to emulate and pay homage to both legendary studio hardware and our own DSP innovations. We utilize a combination of open-source and proprietary modelling technology that is the exclusive property of AnalogX.
AnalogX is not affiliated with, endorsed by, or licensed from any hardware or software manufacturers. Any names, styles, or references are purely for descriptive purposes.
All products are provided as digital downloads only and do not include any physical components. Trademarks, product names, and logos remain the property of their respective owners. By using AnalogX products, you acknowledge these emulations are independent creations and are not officially connected with the hardware or manufacturers mentioned.
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